Sometimes when you’re blocked as a blogger, the key is to simply blog. Maybe not publish, but just write and see what happens. Sometimes I’m convinced blocks happen because you want to write about subjects you perhaps don’t often write about in a particular space. But something — self-judgment, overwhelm, lack of confidence, low energy, life — gets in the way. And when you don’t obey your inner prime directive, well, nothing comes out — everything gets blocked.

(It reminds me of a useful metaphor I once read somewhere self-help-ish, about how both positive and negative emotions come out of the same “faucet,” and trying to repress the icky stuff and not deal with it also blocks the good stuff as well. Maybe there’s a writing/creative corollary as well?)

So anyway: one of these things I’d like to write more about is writing itself, but the idea of shaping a mass of thoughts into a cohesive long-form piece of writing kind of sucks the energy out of me right now. Let’s just lower the bar a little and present a “related list,” no? This is just a “state of the union” kind of things I have been mulling over about writing, publishing and creativity in general.

+ Sometimes I really miss writing more critically/whatever-y/essaylike about stuff like music, movies, books and all that. Sometimes I do that a little, here, but it doesn’t feel quite right for this space and I’m tired to trying to figure out a way to make everything fit. Sometimes I think of starting a new Web “thing” — because I LOVE to start new things, it’s a cardinal sign astrology thing, maybe — but then I think, “Does the Internet really need another opinionated person clogging up bandwidth with whatever?”

+ This of course is tied to my general Internet/online/social media exhaustion to begin with. I feel bad, but I don’t read blogs as much as I used to. I don’t really check into Facebook. (Sorry to people whose birthdays I missed on there, I’m terrible at FB!) I feel like all I get from the Internet is information, bits and pieces that just drift through my life and easily drift out of it, like an early winter snowstorm, replaced by the latest meme or byte — and it doesn’t feel like real knowledge or wisdom anymore. I don’t have a real, sustained engagement or relationship with it. I think about that a lot, sometimes — what kind of intellect is possible if you do all your thinking, writing and researching via the Internet?

+ I do think a lot about how something starts as information, becomes knowledge and perhaps transitions into genuine wisdom and discernment: a kind of life cycle of intelligence, perhaps, and I do think about how the medium and audience and “market” (ugh at that word) affects that process. And when you write a blog or website, what role you/it plays in that process. Which is to say, sometimes I wonder if writing a blog in general is a futile thing if I genuinely want to contribute in some way to something quality in this realm.

+ I also think about making a zine again. Like a real zine. I made one as a special giftie for peeps who bought my , and it was fun to make something that I knew would literally exist in material reality. I do so much writing for the Internet, both professionally and personally, that it is a fascinating exercise to write something that you know will only exist outside the electronic ether. And perhaps I am nostalgic for the time when I wrote a “perzine” and felt that wide-open expanse of possibility within that format — you could write on anything, in whatever format, and while the audience wasn’t as wide, they were more engaged perhaps. Or maybe that’s just me flattering myself, I don’t know, or I’m projecting my own type of engagement upon different media. (On a basic level, I tend to remember books and ideas better when I read them on paper.) Anyway: sometimes I think it would be fun to do a zine again, to create a physical object full of writing. I sort of miss photocopying, too, collating, stapling, mailing…

+ I have been writing a lot of short stories recently, but fall means novel-writing, so I’m gearing up for that soon. I stumbled upon the first act of a novel I started a few years ago, read it and realized, “Wow, this idea is fascinating and, above all, kind of that sustainable tension between fun and challenging.” Reading it was like reading something someone else wrote — I’d forgotten I’d written it, in a strange way. Which is in some way the most delicious sensation you can have as a writer, when words you wrote are somehow outside of yourself and you’re like, “Dang, who write this? Me?!” Of course, you can have that feeling in both a good and bad way, and often both at the same time.

+ I really do think people underestimate and misunderstand the role of “fun” and play when it comes to writing, especially long-term projects. This was an insight I came to late during my MFA program, and I really wish I had learned it much earlier on — I would’ve saved myself a lot of time, money and heartache, perhaps. I could write and make very serious, weighty, dramatic stories in a short format — a short film, a short screenplay, a short story. I could experiment with dense, intellectual ideas, both in form and subject, in short formats. But when it came to longer work, I found writing that intensely sad, fragmented post-colonial family saga, for instance, to be a horribly awful experience, both for me to write and perhaps for others to read. The material colored my existence, made me sad and pessimistic and writing became a chore in a way it normally is not for me.

Sometimes I believe that how you feel about the process of writing is just as important as how you feel about what you write about — and how you feel as you write it, perhaps. (I’m convinced that feelings about self, life, whatever seep into writing in this effable way, which sometimes makes it hard for me to finish work these days by lauded, “good” writers I’m convinced are total douchebag assholes, simply because the ineffable asshole vibes somehow waft off the page.) Anyway, I wish someone had told me early in my MFA program, “Sure, experiment with that crazy intense story for a few shorts, but when you buckle down to making real sustained work, write something you enjoy on some level.” But of course, I think this is different for everyone. There are some people who create as a kind of catharsis, a therapy, an outlet for pain and trauma and simple suffering of mere human existence, and they need to write crazy, intense stuff to get something out and God bless them for that. I think those writers are so compelling and dazzling in their honesty and courage. I guess I don’t write from that space, though: my demons are small fry, really. I write because it’s fun for me, because I like being transported, and I like the potential companionship that a good story provides. But it’s nice to know the space you’re coming from.

+ Anyway, writing about writing gets tiresome after while, so I’m going to wrap this up and get home and make some soup and tea. Because sometimes there is nothing better than soup and tea after a nice intense writing session, after all.